Hossein Feyzi Pour. Unreal Engine technical artist, real-time & automation systems engineer.

Co-Founder and Chief Technology Officer (CTO) at SoGoal AI, directing the research, development, and system architecture of our end-to-end soccer computer vision and broadcast graphics ecosystem.

Built around two proprietary core AI engines:
• Full-Pitch Optical Tracking AI: High-precision computer vision pipeline (SkillCorner-grade) that detects, tracks, and extracts 2D pitch coordinates, velocity vectors, and physical metrics for all 22 players and the ball across broadcast video feeds.
• Automated Pitch Calibration & Homography AI: Instantaneous camera pose estimation and lens distortion correction that maps multi-angle broadcast camera feeds onto calibrated 3D world coordinates in milliseconds.

Unreal Engine 5 Broadcast Integration: Connected our tracking and calibration pipelines directly to Unreal Engine 5 via low-latency data streams to render dynamic 3D virtual pitch advertisements, live tactical passing lanes, player ID heatmaps, and telemetry overlays that perfectly lock to the pitch with full camera motion parallax.

Web Analytics Platform: Designed and deployed sogoalai.com, providing football clubs, coaches, and sports broadcasters with comprehensive interactive performance dashboards, match tactical maps, and automated video clip generation.

Developed a virtual banking platform and interactive metaverse experience in Unreal Engine for Shahr Bank at ADA, enabling users to explore immersive financial districts, interact with procedural architecture, and access automated banking tools.

Engineered core multiplayer character locomotion systems and custom Animation Blueprints for non-player characters (NPCs) throughout the virtual halls. Authored procedural building-generation algorithms to assemble dynamic city layouts and interior halls with high visual fidelity and optimized draw-call counts.

Programmed a full-featured multiplayer 3 Card Poker game with authoritative client-server replication, realistic chip physics, and a betting UI supporting Ante, Pair Plus, and 6 Card Bonus rules. Designed relational database schemas and integrated hosted AI assistant models via REST APIs to power conversational banking concierges across the application.

Designed and engineered an end-to-end real-time virtual production pipeline in Unreal Engine 5 for 100 dar 100, one of Iranian National Television’s (IRIB Channel 2) top-rated live family game shows, spanning over 200 live broadcast episodes.

A critical technical breakthrough was rendering Composure live video feeds composited directly onto in-world 3D architectural display planes (planar compositing in 3D space with perspective tracking and dynamic lighting), rather than as a flat full-screen viewport overlay. The established commercial plugin offering planar compositing (Off World Live) was prohibitively expensive ($1,000+). To eliminate third-party licensing costs and avoid vendor lock-in, I engineered a custom Composure-on-plane pipeline in-engine from scratch, projecting keyed zero-lag video feeds directly onto 3D world planes in real-time at 60 FPS.

Production crews transported remote cameras and modems to contestant families' homes, streaming raw feeds directly into the studio. To eliminate software watermarks and overlays from third-party tools like Skype, I authored a custom zero-lag video ingestion protocol. Also built an awards chamber with physics-animated prize chests revealing real-time contestant winnings, matched SD camera lens distortion profiles in-engine for seamless studio parallax, and engineered a browser-based WebRTC director control interface for foolproof live operation.

Created and deployed six interactive real-time minigames in Unreal Engine 5 for SAHAR TV’s live international broadcast: Sheep Counting (with procedural flocking splines), Blackboard Q&A, Three Cups Shuffle, Music & Animal Guessing, Shape Memory, and the JIRTDAN Riddle challenge where call-in contestants guess dynamic letter matrices.

Developed the interactive 3D Storybook world featuring JIRTDAN and a grandma narrator. As pages turn, pop-up 3D illustrations emerge while both characters perform live on-air using low-cost facial motion capture (Apple ARKit blendshapes) and custom body tracking, delivering cinema-quality performance within tight broadcast production budgets.

Coordinated end-to-end asset optimization across 200+ stylized environment props using Nanite, custom LOD hierarchies, and shader instruction profiling to maintain an unflinching 60 FPS on production hardware. The streamlined Control Rig pipeline cut animation turnaround by 60% and saved over $1,500 per episode in rigging costs.

Engineered the complete character creation and real-time animation pipeline for Muti World, an interactive children's intellectual property starring brother-and-sister feline mascots Miu and Ti. Designed the topological anatomy, bone rigging, and weight painting in Blender 4.1 using Auto-Rig Pro before importing into Unreal Engine 5.

Authored strand-based Groom systems for dense fur coats, expressive facial whiskers, and custom cloth simulations that react realistically to character velocity. Rigged 52 ARKit facial blendshapes and integrated full body motion capture suit support into a unified CBP_SandboxCharacter Blueprint.

Enabled actors to perform live in motion-capture suits with real-time viewport feedback, making character recording instantaneous. Also developed the companion Muti World mobile application where young viewers and parents upload artwork that Miu and Ti interact with on the live broadcast show.

Authored an in-depth Technical Artist breakdown demonstrating how to transform heavy unoptimized 3D assets into production-ready, high-performance real-time models for game engines and virtual sets.

Level 1 Manual Optimization: reduced triangle count from 4,500 down to 2,500 with zero visual silhouette degradation, generated clean LOD levels, corrected non-uniform UV stretching, aligned origin pivots in Blender, separated masked transparency elements into lightweight instanced materials, and profiled GPU quad overdraw.

Level 2 Automated Optimization: currently developing automated Python scripts in Blender to enable 3D artists to execute decimation, UV packing, and material slot consolidation in a single automated step, ensuring consistent 60 FPS performance across demanding scenes.

Manual vs. Automated Roadmap: This project represents the foundational manual retopology, seam unwrapping, and LOD baking pipeline. Doing it painstakingly by hand was essential to establish the exact geometric standards, curvature preservation, and material channel packing for our next project: Chair 2, which automates this entire manual workflow down to a 1-button algorithmic process.

Architected a comprehensive broadcast-grade virtual production software system in Unreal Engine for medical talk shows and scientific television programming. Designed specifically to overcome the high barrier of optical camera tracking sensors, the pipeline implements an advanced Composure-on-a-plane workflow with optical flow and clean chromakeying.

Engineered over 50 cinematic camera rails driven by procedural spline Blueprints, providing silky smooth automated tracking, dramatic pan/tilt sweeps, and picture-in-picture director previews without needing physical track infrastructure in the studio.

Constructed dynamic data-driven infographic Blueprints that automatically scale 3D percentage cylinders, graphs, and statistical data based on live inputs. Integrated a live mobile screen mirroring setup and an automated drone camera that transports graphic callouts and media cards across the virtual set, all controllable via a zero-lag WebRTC browser dashboard.

Designed and realized the expansive virtual world for Shiru, a broadcast television puppet narrative produced for Iranian National Television. Guided by the script's architectural descriptions, I sculpted the landscape, created hay farms, and modeled modular village houses with full interior and exterior walkability.

Engineered a dual-season climate system allowing the entire world to seamlessly toggle between vibrant sunny summer foliage and deep snowy winter conditions, including specialized shader snow accumulation and cold atmospheric scattering.

Integrated the movable Composure projection plane workflow, enabling crew members to freely reposition green-screen puppet feeds across any sector of the village or surrounding mountains. Directors could instantly establish new multi-camera compositions and record sequences on the fly with real-time composite feedback.

Authored and rendered a 3D commercial in Unreal Engine for household appliance manufacturer Silvan (featuring their flagship refrigerator units), completed from concept to final delivery within a rapid 24-hour sprint.

Rigged and weight-painted a sci-fi humanoid robot in Blender, blending multi-track motion clips from Mixamo with custom animation offsets. Staged the asset inside a futuristic warehouse facility with volumetric lighting, fog, and industrial point lights highlighting the appliance's metallic PBR surfaces.

Executed camera animation sequences in Unreal Engine Sequencer, utilizing cinematic lens focal lengths, rack focusing, and motion blur to demonstrate the power of real-time GPU rendering for commercial product advertising.

Delivered a turnkey virtual broadcast production studio and live-animated mascot system in an intense 72-hour window during the 2022 FIFA World Cup for one of Iran's premier sports broadcast hosts (Mohammad Reza Ahmadi) on national television.

Rigged the official tournament mascot, La'eeb, overcoming the intricate technical challenge of rigging a floating, non-humanoid cloth keffiyeh shape with smooth cloth deformations and responsive physics. Connected the facial blendshapes directly to an iPhone ARKit live capture stream for real-time host interaction.

Configured a customized Unreal Engine virtual stadium set equipped with soccer turf circular stages, stadium truss lighting, and synchronized broadcast video screens, allowing seamless live compositing inside a massive green-screen studio.

Developed the virtual production system behind Kushi Mushi, an acclaimed 600-episode children’s television series broadcast on Iran’s National Children’s Channel (POUYA TV) that fused live physical puppetry with real-time 3D Unreal Engine environments.

Built an expansive fantasy landscape featuring a grand central treehouse, winding rivers, rope bridges, and 9 stylized character homes. Optimized complex multi-part meshes imported from Blender, authoring custom master materials and distance-based LOD transitions.

Created a movable Composure plane rig enabling camera operators and directors to teleport the compositing setup to any designated set coordinates with a button press. Scripted environmental VFX including dynamic water buoyancy for floating log sequences, atmospheric jungle fires, and overhead aircraft.

Built my foundational real-time virtual production software in Unreal Engine at Bakh Studio, engineered from scratch in under three months. Directed and technical-artist-managed the scene pipeline across 5+ animated and live-broadcast series, delivering over 1,000 broadcast minutes for national television.

Pioneered camera rail sequences, material-based green-screen chromakeying, and dynamic set dressing Blueprints allowing directors to swap central tables, lighting schemes, and video displays on the fly. During COVID-19 lockdowns, created a multi-display virtual audience wall enabling families to join live broadcasts via remote video feeds.

Mastered broadcast capture hardware, SDI/HDMI ingestion, frame sync, and interlaced-to-progressive conversions, authoring artist-friendly Sequencer tools that cut technical setup overhead by 50% across episodes.

Dolphin Dude is an independent comedy and gaming channel where I serve as creator, writer, video editor, and technical developer, managing production, channel growth, and monetization.

Initially started production using the simple Veadotube mini application for basic 2D reactive states. As production ambitions expanded, I moved beyond pre-made tools: designed my own original high-resolution layered character from scratch in Adobe Photoshop, and engineered a clean, multi-axis 2D deformation rig inside Live2D Cubism Editor 5 (Dolphin Duuude V2). Rigs feature full head XYZ rotation, body angles, physics-driven secondary hair motion, parametric eye blinks, and dynamic mouth shapes driven live through real-time motion capture, pose detection, and voice-reactive Blueprint audio in Unreal Engine.

Programmed a voice-reactive Unreal Engine application that samples real-time microphone audio input, analyzing volume and pitch frequencies to trigger dynamic mouth shapes, procedural emotional state shifts, and ambient lighting in the virtual streaming studio.

Dolphin Duuude

@DolphinDuuude • Gaming, Minecraft Hardcore & VTuber

Visit YouTube Channel

Channel Status: On Hold

I have temporarily placed the channel on hold due to intense professional commitments and limited free time while leading virtual production and technical art workflows. All Live2D rigs, reactive VTuber software, and production assets remain fully operational for future releases.

Most-Viewed Shorts

Top viral moments & Minecraft shorts (verified channel metrics)

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🥲⚡️Im the SMARTEST MINECRAFTER

Channel Episodes & Long Videos

Full series episodes with actual thumbnails & real view counts

1

HD

INSANE Villager Empire Makes UNLIMITED Emeralds! 💰

2.3K views • Automated villager trading hall mechanics, iron farm economy, and live reactive VTuber commentary.

2

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🔥This ILLEGAL Portal Shouldn’t Exist… But I Built It Anyway

423 views • Custom non-Euclidean obsidian portal architecture and survival world exploration.

3

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WTF is happening - Minecraft Hardcore #1

292 views • The series genesis: hardcore survival, unexpected ambushes, and live avatar debut.

4

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I Have SEEN THINGS… Send Help. – Minecraft Hardcore #4

153 views • Deep dark exploration, ancient city raid tension, and expressive avatar reactions.

5

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MAX LEVEL RAID… HUGE Mistake! 💀 - Minecraft Hardcore #3

120 views • High-voltage village raid defense, witch lightning storms, and close calls.

6

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LEGENDARY SKIN UNLOCKED… now I have a BELLY💀

95 views • Custom character skin reveal, live motion rigging, and comedic storytelling.

7

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I LOST MY BEST FRIEND… AND I’LL NEVER RECOVER. 💀 - Minecraft Hardcore #2

82 views • The tragic search for Alberto, comedic grief montage, and reactive face rigging.